1 Evidence of Samuel Coulson of Leeds to the Sadler Committee: Coulson's children worked in a mill. Here, he answers questions about the work his children, aged 8-12, did in the `brisk' times (when the mill was busy): At what time in the morning, in the brisk time, did these girls go to the mills? In the brisk time, for about six weeks, they have gone at 3 o'clock in the morning, and ended at 10, or nearly half past, at night.
What breaks were allowed for rest during those nineteen hours of work? Breakfast a quarter of an hour, and dinner half an hour, and drinking a quarter of an hour.
What was the length of time they could be in bed during those long hours? It was near 11 o'clock before we could get them into bed after getting a little food, [then] me or my mistress got up at 2 o'clock to dress them.
Were the children excessively tired by this work? Many a time, we have cried often when we have given them the little food we had to give them, we had to shake them and they have fallen to sleep with the food in their mouth.
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2 Mr Wood's Factory in Bradford: John Wood was a mill-owner and a leader of the campaign to improve factory conditions. William Sharp, a doctor, described Wood's mill to the Sadler Committee: Has anything struck you about the mills? That they were particularly cleanly, and made as comfortable as they can be... Has Mr Wood baths upon his premises? Yes Do you happen to know whether seats are provided? There are seats Will you state the number of hours they are employed? From 6am to 7pm, with half an hour for breakfast and forty minutes for dinner In 1833, a reporter from Penny Magazine visited Wood's factory. He wrote an article to show how happy the workers were: It was the hour for dinner and play, and the young people were joyfully sporting in the open yard of the factory... The little people seemed quite delighted to see their employer, their faces brightened up and their eyes sparkled as he came near, indeed, he appeared more like a father among them, and an affectionate one too, than like a master.
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Introduction (continued) These images will help you to understand how visual images, also, were manipulated to support the needs of the author: |
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3 The Progress of Cotton, 1835 This picture was drawn about 1835
for a book called The Progress of Cotton, written to teach children in other
countries about cotton manufacturing in Britain.
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4 Michael Armstrong, Factory Boy, 1840 The same scene, adapted for Frances Trollope's book, Michael Armstrong, Factory Boy a tear-jerker of a novel about the tragic life and misfortunes of a young orphan, written about 1840.
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5 The White Slaves of England, 1860 The same picture, adapted yet again for a book by John Cobden, The White Slaves of England a book designed to win public support for the campaign to improve conditions in the factories, written in 1860.
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